Mp3 music: Slick Shoes

Artist: Slick Shoes: mp3 download    Genre(s):  Rock: Punk-Rock Other     Slick Shoes's discography:      The Biggest and The Best    Year: 2003    Tracks: 18      Far From Nowhere    Year: 2003    Tracks: 12      Slick Shoes    Year: 2002    Tracks: 12      Burn Out    Year: 1998    Tracks: 12      Rusty    Year: 1997    Tracks: 16 Orange County, CA-based Christian punk-pop outfit Slick Shoes formed in 1994 from the ashes of the local band Today's Special, reuniting guitar player Jackson Mould with drummer Joe Nixon. Over the conterminous year, the duet worked at writing songs earlier recruiting bassist Jeremiah Brown; Mould ab initio sham vocal duties, only with the improver of and so 14-year-old frontman Ryan Kepke, the Slick Shoes lineup was finish, and inside two weeks, the isthmus signed to the Tooth & Nail pronounce to publication their self-titled 1997 debut EP. The uncut Rusty followed later that like year, and upon adding unpredictable guitarist Dale Yob, the group recorded 1998's Burn off Out. Both Mould and Yob shortly exited, and with new guitar player Greg Togawa, Slick Shoes returned as a four-piece in mid-2000 with Ignite Up Screaming, promptly followed by a split EP with Cooter (the dance band that would later be renamed Autopilot Off) recorded for the Fueled by Ramen imprint. After a spell with MxPx and additional shows with Tooth & Nail artists Ace Troubleshooter, Calibretto 13, and Rod Laver, Slick Shoes issued their quarter criminal record album, a self-titled effort in April 2002. Following the album's transcription, several more than card changes ensued. Brown exited to be replaced by bassist Kevin Clark; both guitarists eventually left field as well and Jonah Peterson and David Stoltenberg would finally fill those positions. Far from Nowhere appeared the next summertime on Side One Dummy, which preceded that fall's The Biggest and Best greatest-hits compiling. Ever unstable, in early 2004, Nixon and Clark got the thrill from Slick Shoes.

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Download Man Parrish

Artist: Man Parrish: mp3 download    Genre(s):  Electronic     Discography:      Man Parrish    Year:     Tracks: 13 Although he produced only a smattering of tracks of renown and disappeared into obscureness most as cursorily as he had emerged from it, Manny Parrish is still one of the most important and influential figures in American electronic saltation euphony. Helping to lay the fundament of electro, hip-hop, freestyle, and techno, as well as the stacks of subgenres to break away off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combine the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut'n'mix glide slope of nascent rap. As a result, tracks like "Hip-hop Be Bop (Don't Stop)" and "Boogie Down Bronx" were period-defining plant that provided the introductory genetic material for everyone from Run-D.M.C. and the Beastie Boys to Autechre and Andrea Parker -- and they stick around undisputed classics of early hip-hop and electro to this day. A native New Yorker, Parrish was a extremity of the extended family of glam-chasers and freakazoids that converged nightly at Studio 54. His nickname, Man, first appeared in Andy Warhol's Interview magazine, and his early live shows at Bronx hip-hop clubs were glasses of lights, glitter, and pyrotechny that john Drew as much from the Warhol mystique as from the Cold Crush Brothers. Influenced by the electronic experiments of Klaus Nomi and Brian Eno as well as by Kraftwerk, Parrish together with Raúl Rodríguez recorded their best-known work in a bantam studio apartment sometimes shared with Afrika Bambaataa, whose own sessions with Arthur Baker and John Robie produced a number of classics match to Parrish's own, including "Wildstyle," "Look for the Perfect Beat," and the illustrious "Major planet Rock." What distinguished "Hip-hop Be Bop," still, was its lack of vocals and the extremely broad spectrum of popularity it gained in the club fit, from ghetto breakdance halls to uptown clubs like Danceteria and the Funhouse. After he ascertained a pirated written matter of his euphony being played by a local DJ, Parrish establish his way to the offices of the Importe pronounce (a foot soldier of popular dance imprint Sugarscoop), with whom he inked his first handle. He released his self-titled LP curtly afterward, and the record album went on to sell all over iI 1000000 copies worldwide. Following a period of blow out, Parrish recorded and remixed tracks for Michael Jackson, Boy George, Gloria Gaynor, and Hi-NRG group Man 2 Man, among others, and served as road director for the Village People. While Parrish's subsequent material achieved nowhere nigh the success or creative toss of his earlier work out, he continued to record from his Brooklyn studio and has been a patronise DJ at New York S&M clubs. His second base LP, Dreamtime, appeared on Strictly Rhythm in 1997.

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